Events

The Special Education Law Conference is a one-day program that provides a year-in-review case law keynote and various break-out sessions on Friday, May 10, 2019 from 8:30 a.m. to 3:50 p.m.

The Centennial School 5K is held on the scenic cross-country trails of Lehigh University’s Goodman Campus, Bethlehem, PA. Use the link below to familiarize yourself with the 5K course. We hope to see many families at the race! For those competitive runners, the 5K will be professionally timed by Pretzel City Sports. Those families, kids, and dogs looking for a less competitive morning will have the opportunity to participate in the two-mile walk. If you wish to receive a T-shirt you must register for the race on or before April 23, 2019.

After 30 years of service, Dr. George P. White is retiring from Lehigh University.

Dr. Lauren Moskowitz, Ph.D presents "Assessing and Treating Anxiety and Related Problem Behaviors and in Autism Spectrum Disorder." Although there are numerous studies demonstrating the successful assessment and treatment of anxiety in neurotypical children, comparatively less is known about how to assess and treat anxiety in Autism Spectrum Disorder (ASD), particularly those individuals with co-occurring intellectual disability. This presentation will discuss how anxiety presents within ASD, the functional assessment of anxiety in children with ASD, and how to treat anxiety in children with ASD. Interventions discussed will incorporate strategies from Positive Behavior Support (PBS), Applied Behavior Analysis (ABA), and Cognitive Behavioral Therapy (CBT). Case examples of children both with and without intellectual disability will be presented. More information to come!

Parking Services will be closed from 12:00pm to 1:00pm beginning Friday, May 17, 2019 through Thursday August 15, 2019.

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financeadmin.lehigh.edu/content/summer-housing

Led by University Chaplain Lloyd Steffen, the Baccalaureate program includes outstanding choral music and a presentation or “farewell address” by a person of high distinction to graduating seniors. The original Baccalaureate ceremony dates back to the 14th Century where it was held at Oxford University. The Baccalaureate service lasts one hour and begins with a musical prelude slightly before 4:00 p.m. Students representing different religious traditions participate in the program. Past notes of appreciation received from parents, guests, and students indicate that the service has been a meaningful part of the Commencement activities. *The service is standing room only. In recent years, speakers have been placed on the patio in front of the church because of the crowd. To be assured a seat, please arrive early.

The founders of Lehigh University saw art as integral to a well-rounded education. Following in the footsteps of Thomas Jefferson, who made his personal art collection accessible to students and faculty at the University of Virginia, Lehigh University’s first president, Henry Coppée, declared art one of the “elementary branches” of education. Art has been part of the university since its beginning in 1865. By 1926 the university was actively collecting and exhibiting works of art, and in 1935 the first gallery facilities were established to house the permanent collection. From these humble beginnings the Lehigh University Art Galleries · Teaching Museum was formed. Today, the permanent collection numbers over 15,000 works of art, spanning many cultures and centuries. Although the collection has evolved and grown, the mission has stayed the same, to inspire, develop, and promote visual literacy and cultural understanding, providing educational opportunities across all areas of study. This extensive exhibition, on view throughout two galleries, features highlights from the university’s world-class collection, including works by Pierre Bonnard, Margaret Bourke-White, Albrecht Dürer, Wifredo Lam, Charles Burchfield, Jasper Johns, Diane Arbus, Jacob Lawrence, Robert Mapplethorpe, Henri Matisse, and many more. Exhibition hours are Wednesday through Saturday 11 AM – 5 PM and Sunday 1 PM – 5 PM. The Main and Lower Galleries are CLOSED Mondays and Tuesdays. Image Detail: Marsden Hartley, Fruit in Basket, 1922, oil on canvas

2019 marks the 300th anniversary of the publication of Daniel Defoe’s groundbreaking novel, Robinson Crusoe. Through the display of early editions of Robinson Crusoe, other writings by Daniel Defoe, and works on natural history, navigation, and other sources from the 18th century, this exhibit looks at the world of this well-known novel. Often abridged for a juvenile audience, the central themes and conflicts of Defoe’s timeless novel (mutiny, castaways, and survival) have been revisited by countless authors in a multitude of formats.

The CSO's annual Move Out Collection Drive will take place from Wednesday, May 8th to Friday, May 24th. Students, faculty, and staff are encouraged to donate their new/gently used items instead of dumping them. We have drop off locations in residence halls and at Lamberton from 10am to 5pm. Donated items will be sold at the Great South Side Sale. All money from the sale goes to children's programming for south Bethlehem Homework Clubs.

The Summer Reading Committee is excited to announce the 2019 selection, Carry On, by Lisa Fenn! Themes from the book that we are excited to discuss with first-year students will be around overcoming barriers, the cycle of poverty, family and community, active citizenship, and exploration of identity such as race, class, and disability. The Summer Reading discussion takes place during Orientation on Sunday, August 25. Faculty, staff, and graduate students are encouraged to sign up to be a discussion leader at go.lehigh.edu/ofyefacstaff. A free copy of the book will be provided to you along with support materials to aid the conversation.

University Day Commencement For more information see the Academic Calendar

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Commencement Ceremony General Information Goodman Stadium gates and Stabler Arena doors, on Lehigh's Goodman Campus, open at 8:45 a.m. We strongly encourage guests to arrive and be seated no later than 9:30 a.m. to avoid traffic backups and parking delays. In addtion, all bags will be checked upon entering. The ceremony will begin promptly at 10:00 a.m. The ceremony should last until approximately 12:45 p.m. For those making restaurant reservations after the ceremony, allow yourself enough travel time and anticipate traffic delays. In the event of severe weather, Commencement will be held inside Stabler Arena and divided into two abbreviated ceremonies at 10:00 a.m. and 2:00 p.m. For more details, click on Severe Weather Information. For your comfort and convenience, an indoor ceremony viewing site will be available in Stabler Arena located south of Goodman Stadium. Shuttles will be available to transport guests between the stadium and arena during the ceremony. If you think you might take advantage of the alternate viewing site, it is recommended that you park in the lots surrounding Stabler Arena. General parking is available on Goodman Campus in the lots adjacent to Stabler Arena. Parking attendants will direct cars to parking areas that are located approximately 600 yards from the stadium. Individuals who require special parking or seating due to a disability, please click on mobility-impaired parking and seating options or contact the Office of University Events at (610) 758-4682 or inuday@lehigh.edu. Students from Lehigh’s four colleges will participate at this ceremony. For the benefit of all graduates and their families, please demonstrate courtesy by remaining in your seat for the entire ceremony. NOTE: Access to the stadium field will not be permitted during the ceremony. Cell phones should be silenced during the ceremony. Drones are prohibited on Lehigh campus. Alcoholic beverages, smoking, and bags larger than 14" x 14" are not permitted in Goodman Stadium. Small purses and diaper bags are permitted. Immediately following the ceremony, all graduates are invited to meet with family and friends at their college tent located on the south side and outside of Goodman Stadium. Limited seating available. Tweet with us during Commencement using #lehighgrad. Find more information about professional photographs, severe weather, maps and directions, or ordering roses for your graduate.

Scale is relative. Large objects can loom over us and overwhelm. We shrink when confronted with a vast expanse, real or imaginary. Conversely, as our relative size grows larger, we surround, engulf, and contain smaller forms like a suitcase, a baby, or a grain of rice. Surprisingly, small spaces can also open portals to miniature worlds, while large forms can feel finite and contained.Artists take these effects seriously. Decisions about scale are often the first an artist makes when selecting the size of a canvas or a tool. The new exhibition Scale Shift: Large and Small Works features pairs of works with similar motifs that vary widely in scale. Visitors are invited to experience their own changing perception of relative size and imaginary space as they view these large and small works from the LUAG permanent collection. Scale Shift: Large and Small Works continues until May 24, 2019 in the Siegel Gallery, Iacocca Hall. Hours are Monday through Thursday 9 AM – 10 PM and Friday 9 AM – 5 PM. Image credit: Naoto Nakagawa, Silent Vision, 1974, Acrylic on canvas

In 1966, James Brown sang “It’s a man’s world!” Over the past year that statement has been shaken to its knees. Feminism, women’s rights, and women’s stories are front and center in the United States and across the world. The #MeToo and #TimesUp movements have empowered women to continue speaking up about issues of sexual harassment and assault. A record number of women are running for political office, and – although much work remains to be done – women are and being celebrated in every field imaginable. In printmaking, The Future Is Female, but so is the past. With or without the visibility they deserve, women artists have engaged the art of printmaking from the beginning. Requiring technical mastery, physical strength, and stamina, printmaking—or the art of producing multiple images or impressions from a single plate or matrix—has its origins in 8th century Japan where designs were rubbed onto paper from wooden blocks. By the 15th century in Europe, the availability of inexpensive paper and the invention of the printing press led to a proliferation of printed images in a variety of techniques. The second half of the 20th century witnessed an explosion of interest in the creative potential of printmaking methods such as etching, engraving, lithography, woodcut, and silkscreen among others. Today, women artists continue to use these various techniques to tell their stories, exploring themes such as gender, sexuality, race, ethnicity, and/or economic class. This exhibition highlights contemporary women artists in the LUAG Teaching Museum permanent collection, including Faith Ringgold, Janet Fish, Maud Morgan, Matsubara Naoko, Françoise Gilot, Nancy Spero, Marisol Escobar, Bridget Riley, Carmen Herrera, Belkis Ayón, and Käthe Kollwitz. Exhibition hours are Monday – Friday 8 AM – 10 PM and Saturday 8 AM – 5 PM. Image Detail: Audrey Flack, Ecstasy of St. Theresa, 2013, Digital Print ans Serigraph on Paper

“They always say that the photographer is a hunter of images. Really, we are fishermen with hooks and lines.”—Robert Doisneau Considered one of France’s great 20th century photographers, Robert Doisneau (1922-1994) created an archive of 450,000 original negatives by the time of his death. Alongside other noteworthies like Brassaï and Édouard Boubat, Doisneau illuminated the humanity of Parisians struggling to resume everyday life in the aftermath of World War II. Although he began taking pictures at the age of sixteen, Doisneau’s natural shyness led him to prefer shooting objects instead of people. Eventually, he would turn this to his advantage, using the invisibility of the photographer to uncover the poetry of the streets, which would become his lifelong subject. Through surreal and humorous juxtapositions, Doisneau revealed the warmth of city life all around him. As World War II threw Paris into disarray, Doisneau was drafted into the Resistance as a soldier and a photographer, capturing the occupation and liberation of Paris. Perhaps his most famous picture, Le Baiser de l’Hôtel de Ville (The Kiss by the Hôtel de Ville), 1950—included in the current exhibition—distilled the romance of the city in the post-war era. His freelance photography appeared in the pages of Life and Vogue, and his work continues to be shown and celebrated today internationally. Robert Doisneau: Paris After The War continues until May 24, 2019 in the Dubois Gallery, Maginnes Hall on the 4th floor. Hours are Monday through Friday 9 AM – 10 PM. Image credit: Robert Doisneau, Le Baiser de l'Hôtel de Ville, 1950, gelatin silver prints

NavigateLU is a new program through the Office of First-Year Experience that is replacing the evoLUtion Seminar. These individual meetings with students will aid them to set academic and personal goals, consider resources for success, and encourage thoughtful reflection. More information and applications can be found at go.lehigh.edu/ofyefacstaff.

Parking Services will be closed from 12:00pm to 1:00pm beginning Friday, May 17, 2019 through Thursday August 15, 2019.

The Center for Career & Professional Development is moving! That is right, we are packing up and moving to Maginnes Hall on the 5th floor. The physical move will take place May 20 - 24 and the center will be closed during this time. Stay tuned for more details and sneak peeks through our instagram: Lehighcareercenter

financeadmin.lehigh.edu/content/temporary-housing

financeadmin.lehigh.edu/content/summer-housing

Scale is relative. Large objects can loom over us and overwhelm. We shrink when confronted with a vast expanse, real or imaginary. Conversely, as our relative size grows larger, we surround, engulf, and contain smaller forms like a suitcase, a baby, or a grain of rice. Surprisingly, small spaces can also open portals to miniature worlds, while large forms can feel finite and contained.Artists take these effects seriously. Decisions about scale are often the first an artist makes when selecting the size of a canvas or a tool. The new exhibition Scale Shift: Large and Small Works features pairs of works with similar motifs that vary widely in scale. Visitors are invited to experience their own changing perception of relative size and imaginary space as they view these large and small works from the LUAG permanent collection. Scale Shift: Large and Small Works continues until May 24, 2019 in the Siegel Gallery, Iacocca Hall. Hours are Monday through Thursday 9 AM – 10 PM and Friday 9 AM – 5 PM. Image credit: Naoto Nakagawa, Silent Vision, 1974, Acrylic on canvas

Creating Value in Healthcare Through People, Processes, and Technology

In 1966, James Brown sang “It’s a man’s world!” Over the past year that statement has been shaken to its knees. Feminism, women’s rights, and women’s stories are front and center in the United States and across the world. The #MeToo and #TimesUp movements have empowered women to continue speaking up about issues of sexual harassment and assault. A record number of women are running for political office, and – although much work remains to be done – women are and being celebrated in every field imaginable. In printmaking, The Future Is Female, but so is the past. With or without the visibility they deserve, women artists have engaged the art of printmaking from the beginning. Requiring technical mastery, physical strength, and stamina, printmaking—or the art of producing multiple images or impressions from a single plate or matrix—has its origins in 8th century Japan where designs were rubbed onto paper from wooden blocks. By the 15th century in Europe, the availability of inexpensive paper and the invention of the printing press led to a proliferation of printed images in a variety of techniques. The second half of the 20th century witnessed an explosion of interest in the creative potential of printmaking methods such as etching, engraving, lithography, woodcut, and silkscreen among others. Today, women artists continue to use these various techniques to tell their stories, exploring themes such as gender, sexuality, race, ethnicity, and/or economic class. This exhibition highlights contemporary women artists in the LUAG Teaching Museum permanent collection, including Faith Ringgold, Janet Fish, Maud Morgan, Matsubara Naoko, Françoise Gilot, Nancy Spero, Marisol Escobar, Bridget Riley, Carmen Herrera, Belkis Ayón, and Käthe Kollwitz. Exhibition hours are Monday – Friday 8 AM – 10 PM and Saturday 8 AM – 5 PM. Image Detail: Audrey Flack, Ecstasy of St. Theresa, 2013, Digital Print ans Serigraph on Paper

“They always say that the photographer is a hunter of images. Really, we are fishermen with hooks and lines.”—Robert Doisneau Considered one of France’s great 20th century photographers, Robert Doisneau (1922-1994) created an archive of 450,000 original negatives by the time of his death. Alongside other noteworthies like Brassaï and Édouard Boubat, Doisneau illuminated the humanity of Parisians struggling to resume everyday life in the aftermath of World War II. Although he began taking pictures at the age of sixteen, Doisneau’s natural shyness led him to prefer shooting objects instead of people. Eventually, he would turn this to his advantage, using the invisibility of the photographer to uncover the poetry of the streets, which would become his lifelong subject. Through surreal and humorous juxtapositions, Doisneau revealed the warmth of city life all around him. As World War II threw Paris into disarray, Doisneau was drafted into the Resistance as a soldier and a photographer, capturing the occupation and liberation of Paris. Perhaps his most famous picture, Le Baiser de l’Hôtel de Ville (The Kiss by the Hôtel de Ville), 1950—included in the current exhibition—distilled the romance of the city in the post-war era. His freelance photography appeared in the pages of Life and Vogue, and his work continues to be shown and celebrated today internationally. Robert Doisneau: Paris After The War continues until May 24, 2019 in the Dubois Gallery, Maginnes Hall on the 4th floor. Hours are Monday through Friday 9 AM – 10 PM. Image credit: Robert Doisneau, Le Baiser de l'Hôtel de Ville, 1950, gelatin silver prints

NavigateLU is a new program through the Office of First-Year Experience that is replacing the evoLUtion Seminar. These individual meetings with students will aid them to set academic and personal goals, consider resources for success, and encourage thoughtful reflection. More information and applications can be found at go.lehigh.edu/ofyefacstaff.

The Center for Career & Professional Development is moving! That is right, we are packing up and moving to Maginnes Hall on the 5th floor. The physical move will take place May 20 - 24 and the center will be closed during this time. Stay tuned for more details and sneak peeks through our instagram: Lehighcareercenter

Parking Services will be closed on Thursday, May 23, 2019, from 10:30 A.M. to 1:00 P.M. for a department meeting. The office will re-open at 1:00 P.M.

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Enjoy fresh grilled-to-order lunch with a live accoustic performance by Tim Harakal at the Common Grounds Patio! Grill Open - 11:00am - 1:30pm Live Music - 11:30am - 1:00pm

Scale is relative. Large objects can loom over us and overwhelm. We shrink when confronted with a vast expanse, real or imaginary. Conversely, as our relative size grows larger, we surround, engulf, and contain smaller forms like a suitcase, a baby, or a grain of rice. Surprisingly, small spaces can also open portals to miniature worlds, while large forms can feel finite and contained.Artists take these effects seriously. Decisions about scale are often the first an artist makes when selecting the size of a canvas or a tool. The new exhibition Scale Shift: Large and Small Works features pairs of works with similar motifs that vary widely in scale. Visitors are invited to experience their own changing perception of relative size and imaginary space as they view these large and small works from the LUAG permanent collection. Scale Shift: Large and Small Works continues until May 24, 2019 in the Siegel Gallery, Iacocca Hall. Hours are Monday through Thursday 9 AM – 10 PM and Friday 9 AM – 5 PM. Image credit: Naoto Nakagawa, Silent Vision, 1974, Acrylic on canvas

A revolutionary. Mexican photographer Pedro Meyer (b. 1935), is a pioneer of the digital revolution in contemporary photography, one of the first photographers to manipulate his images digitally. Because of its mechanical nature, photography has often been misconstrued an unbiased reproduction of a single moment, a snapshot of the exact truth – something that Meyer actively disputes in his work. Meyer is renowned, not only for digital manipulation, but also for his powerful and provocative photographs that share his complex vision of reality. Meyer insists that all photographs – manipulated or not – are equally true and untrue. He argues that digital manipulation continues in the tradition of so-called “straight photography” in which unwanted details are cropped out, or the photographer asks his subject to step out of the shadows into better light. Seen this way, a photographer digitally editing a photograph is no different from a photographer offering stage directions from behind the camera. Both take liberties with the “truth” in service to the photographer’s vision. This exhibition showcases Meyer’s approach toward capturing the truth of a moment, complete with concrete reality of memories and emotions. Exhibition hours are Monday – Thursday 8AM – 10PM, Friday 8AM – 5PM, and Weekends: 10AM – 5PM. Image Detail: Pedro Meyer, Explosion of Green Chairs (Tlaxiaco, Oaxaca, Mexico), 1991/1993/2008

World War II was the largest and deadliest war in history. England alone was home to almost 30 military airfields. What was it like growing up in an England that was covered in airbases and focused solely on the war effort? Dame Elisabeth Frink (1930-1993) was not quite nine years old when the War shattered the calm of her English countryside home. Raised near an airbase in Suffolk, she experienced horses and birds of prey side-by-side with crashing airplanes and machine gun fire. These birds of prey would feature prominently in the prints she created throughout her career. According to Frink she “used birds as a vehicle for all sorts of aggressive forms… They became likes bits of shrapnel and flight things, you know, with very sharp beaks”. The prints featured in the exhibition Elisabeth Frink: Mountain Hawks & Other Creatures, represent a period in Frink’s work, starting in the mid-1960s, when her tone began to shift away from the chaos of her earlier work - work that was born out of the War’s immediate impact on her - to focus on her deepening concern for the relationship between human beings and the natural world. Elisabeth Frink: Mountain Hawks & Other Creatures continues until May 24, 2019 in the Dubois Gallery, Maginnes Hall on the 2nd and 3rd floors. Hours are Monday through Friday 9 AM – 10 PM. Image credit: Elisabeth Frink, Peregrine Falcon, from the series Birds of Prey, 1974, etching, aquatint, and lithograph on paper.

Lehigh University Men's Track and Field vs NCAA East Prelims TV: FloTrack Streaming Video: https://www.flotrack.org/live/12511-2019-di-ncaa-east-preliminary-round/signup?utm_campaign=44627incaaeastpreli&utm_medium=referral&utm_source=email&utm_content=email&rtid=44627&coverage_id=6395409 https://lehighsports.com/calendar.aspx?id=11637

The Center for Career & Professional Development is moving! That is right, we are packing up and moving to Maginnes Hall on the 5th floor. The physical move will take place May 20 - 24 and the center will be closed during this time. Stay tuned for more details and sneak peeks through our instagram: Lehighcareercenter

2019 marks the 300th anniversary of the publication of Daniel Defoe’s groundbreaking novel, Robinson Crusoe. Through the display of early editions of Robinson Crusoe, other writings by Daniel Defoe, and works on natural history, navigation, and other sources from the 18th century, this exhibit looks at the world of this well-known novel. Often abridged for a juvenile audience, the central themes and conflicts of Defoe’s timeless novel (mutiny, castaways, and survival) have been revisited by countless authors in a multitude of formats.

The Summer Reading Committee is excited to announce the 2019 selection, Carry On, by Lisa Fenn! Themes from the book that we are excited to discuss with first-year students will be around overcoming barriers, the cycle of poverty, family and community, active citizenship, and exploration of identity such as race, class, and disability. The Summer Reading discussion takes place during Orientation on Sunday, August 25. Faculty, staff, and graduate students are encouraged to sign up to be a discussion leader at go.lehigh.edu/ofyefacstaff. A free copy of the book will be provided to you along with support materials to aid the conversation.

financeadmin.lehigh.edu/content/temporary-housing

Fresh produce/local vendors, right on campus! Come to the Bethlehem Farmers' Market every Thursday, May 2 - Oct 31, 10 am - 2 pm, in Farrington Square. Come stock up on fresh produce AND support this community service.

Scale is relative. Large objects can loom over us and overwhelm. We shrink when confronted with a vast expanse, real or imaginary. Conversely, as our relative size grows larger, we surround, engulf, and contain smaller forms like a suitcase, a baby, or a grain of rice. Surprisingly, small spaces can also open portals to miniature worlds, while large forms can feel finite and contained.Artists take these effects seriously. Decisions about scale are often the first an artist makes when selecting the size of a canvas or a tool. The new exhibition Scale Shift: Large and Small Works features pairs of works with similar motifs that vary widely in scale. Visitors are invited to experience their own changing perception of relative size and imaginary space as they view these large and small works from the LUAG permanent collection. Scale Shift: Large and Small Works continues until May 24, 2019 in the Siegel Gallery, Iacocca Hall. Hours are Monday through Thursday 9 AM – 10 PM and Friday 9 AM – 5 PM. Image credit: Naoto Nakagawa, Silent Vision, 1974, Acrylic on canvas

A revolutionary. Mexican photographer Pedro Meyer (b. 1935), is a pioneer of the digital revolution in contemporary photography, one of the first photographers to manipulate his images digitally. Because of its mechanical nature, photography has often been misconstrued an unbiased reproduction of a single moment, a snapshot of the exact truth – something that Meyer actively disputes in his work. Meyer is renowned, not only for digital manipulation, but also for his powerful and provocative photographs that share his complex vision of reality. Meyer insists that all photographs – manipulated or not – are equally true and untrue. He argues that digital manipulation continues in the tradition of so-called “straight photography” in which unwanted details are cropped out, or the photographer asks his subject to step out of the shadows into better light. Seen this way, a photographer digitally editing a photograph is no different from a photographer offering stage directions from behind the camera. Both take liberties with the “truth” in service to the photographer’s vision. This exhibition showcases Meyer’s approach toward capturing the truth of a moment, complete with concrete reality of memories and emotions. Exhibition hours are Monday – Thursday 8AM – 10PM, Friday 8AM – 5PM, and Weekends: 10AM – 5PM. Image Detail: Pedro Meyer, Explosion of Green Chairs (Tlaxiaco, Oaxaca, Mexico), 1991/1993/2008

World War II was the largest and deadliest war in history. England alone was home to almost 30 military airfields. What was it like growing up in an England that was covered in airbases and focused solely on the war effort? Dame Elisabeth Frink (1930-1993) was not quite nine years old when the War shattered the calm of her English countryside home. Raised near an airbase in Suffolk, she experienced horses and birds of prey side-by-side with crashing airplanes and machine gun fire. These birds of prey would feature prominently in the prints she created throughout her career. According to Frink she “used birds as a vehicle for all sorts of aggressive forms… They became likes bits of shrapnel and flight things, you know, with very sharp beaks”. The prints featured in the exhibition Elisabeth Frink: Mountain Hawks & Other Creatures, represent a period in Frink’s work, starting in the mid-1960s, when her tone began to shift away from the chaos of her earlier work - work that was born out of the War’s immediate impact on her - to focus on her deepening concern for the relationship between human beings and the natural world. Elisabeth Frink: Mountain Hawks & Other Creatures continues until May 24, 2019 in the Dubois Gallery, Maginnes Hall on the 2nd and 3rd floors. Hours are Monday through Friday 9 AM – 10 PM. Image credit: Elisabeth Frink, Peregrine Falcon, from the series Birds of Prey, 1974, etching, aquatint, and lithograph on paper.

The Summer Reading Committee is excited to announce the 2019 selection, Carry On, by Lisa Fenn! Themes from the book that we are excited to discuss with first-year students will be around overcoming barriers, the cycle of poverty, family and community, active citizenship, and exploration of identity such as race, class, and disability. The Summer Reading discussion takes place during Orientation on Sunday, August 25. Faculty, staff, and graduate students are encouraged to sign up to be a discussion leader at go.lehigh.edu/ofyefacstaff. A free copy of the book will be provided to you along with support materials to aid the conversation.

The goal of the conference is to bring together people who develop data science algorithms and those who heavily use such algorithms with the broad application focus of molecular and materials science (anything from atoms to bulk materials). We have a (still growing) list of twenty speakers from diverse fields such as computer science, applied mathematics, chemistry, chemical engineering, materials science, biology, and bioengineering. This conference is being facilitated by the newly formed I-DISC institute and is being supported by an NSF TRIPODS+X grant. Organizing Committee: Srinivas Rangarajan, Jeetain Mittal, Joshua Agar of Lehigh and Payel Das of IBM Research AI, TJ Watson Research Center Registration - mandatory. Deadline: May 8, 2019 This event is free to all Lehigh faculty, postdocs, and students. More information and to register: go.lehigh.edu/DataScienceConference

NavigateLU is a new program through the Office of First-Year Experience that is replacing the evoLUtion Seminar. These individual meetings with students will aid them to set academic and personal goals, consider resources for success, and encourage thoughtful reflection. More information and applications can be found at go.lehigh.edu/ofyefacstaff.

Lehigh University Men's Track and Field vs NCAA East Prelims TV: FloTrack Streaming Video: https://www.flotrack.org/live/12511-2019-di-ncaa-east-preliminary-round/signup?utm_campaign=44627incaaeastpreli&utm_medium=referral&utm_source=email&utm_content=email&rtid=44627&coverage_id=6395409 https://lehighsports.com/calendar.aspx?id=11637

financeadmin.lehigh.edu/content/temporary-housing

financeadmin.lehigh.edu/content/summer-housing

Scale is relative. Large objects can loom over us and overwhelm. We shrink when confronted with a vast expanse, real or imaginary. Conversely, as our relative size grows larger, we surround, engulf, and contain smaller forms like a suitcase, a baby, or a grain of rice. Surprisingly, small spaces can also open portals to miniature worlds, while large forms can feel finite and contained.Artists take these effects seriously. Decisions about scale are often the first an artist makes when selecting the size of a canvas or a tool. The new exhibition Scale Shift: Large and Small Works features pairs of works with similar motifs that vary widely in scale. Visitors are invited to experience their own changing perception of relative size and imaginary space as they view these large and small works from the LUAG permanent collection. Scale Shift: Large and Small Works continues until May 24, 2019 in the Siegel Gallery, Iacocca Hall. Hours are Monday through Thursday 9 AM – 10 PM and Friday 9 AM – 5 PM. Image credit: Naoto Nakagawa, Silent Vision, 1974, Acrylic on canvas

In 1966, James Brown sang “It’s a man’s world!” Over the past year that statement has been shaken to its knees. Feminism, women’s rights, and women’s stories are front and center in the United States and across the world. The #MeToo and #TimesUp movements have empowered women to continue speaking up about issues of sexual harassment and assault. A record number of women are running for political office, and – although much work remains to be done – women are and being celebrated in every field imaginable. In printmaking, The Future Is Female, but so is the past. With or without the visibility they deserve, women artists have engaged the art of printmaking from the beginning. Requiring technical mastery, physical strength, and stamina, printmaking—or the art of producing multiple images or impressions from a single plate or matrix—has its origins in 8th century Japan where designs were rubbed onto paper from wooden blocks. By the 15th century in Europe, the availability of inexpensive paper and the invention of the printing press led to a proliferation of printed images in a variety of techniques. The second half of the 20th century witnessed an explosion of interest in the creative potential of printmaking methods such as etching, engraving, lithography, woodcut, and silkscreen among others. Today, women artists continue to use these various techniques to tell their stories, exploring themes such as gender, sexuality, race, ethnicity, and/or economic class. This exhibition highlights contemporary women artists in the LUAG Teaching Museum permanent collection, including Faith Ringgold, Janet Fish, Maud Morgan, Matsubara Naoko, Françoise Gilot, Nancy Spero, Marisol Escobar, Bridget Riley, Carmen Herrera, Belkis Ayón, and Käthe Kollwitz. Exhibition hours are Monday – Friday 8 AM – 10 PM and Saturday 8 AM – 5 PM. Image Detail: Audrey Flack, Ecstasy of St. Theresa, 2013, Digital Print ans Serigraph on Paper

“They always say that the photographer is a hunter of images. Really, we are fishermen with hooks and lines.”—Robert Doisneau Considered one of France’s great 20th century photographers, Robert Doisneau (1922-1994) created an archive of 450,000 original negatives by the time of his death. Alongside other noteworthies like Brassaï and Édouard Boubat, Doisneau illuminated the humanity of Parisians struggling to resume everyday life in the aftermath of World War II. Although he began taking pictures at the age of sixteen, Doisneau’s natural shyness led him to prefer shooting objects instead of people. Eventually, he would turn this to his advantage, using the invisibility of the photographer to uncover the poetry of the streets, which would become his lifelong subject. Through surreal and humorous juxtapositions, Doisneau revealed the warmth of city life all around him. As World War II threw Paris into disarray, Doisneau was drafted into the Resistance as a soldier and a photographer, capturing the occupation and liberation of Paris. Perhaps his most famous picture, Le Baiser de l’Hôtel de Ville (The Kiss by the Hôtel de Ville), 1950—included in the current exhibition—distilled the romance of the city in the post-war era. His freelance photography appeared in the pages of Life and Vogue, and his work continues to be shown and celebrated today internationally. Robert Doisneau: Paris After The War continues until May 24, 2019 in the Dubois Gallery, Maginnes Hall on the 4th floor. Hours are Monday through Friday 9 AM – 10 PM. Image credit: Robert Doisneau, Le Baiser de l'Hôtel de Ville, 1950, gelatin silver prints

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2019 marks the 300th anniversary of the publication of Daniel Defoe’s groundbreaking novel, Robinson Crusoe. Through the display of early editions of Robinson Crusoe, other writings by Daniel Defoe, and works on natural history, navigation, and other sources from the 18th century, this exhibit looks at the world of this well-known novel. Often abridged for a juvenile audience, the central themes and conflicts of Defoe’s timeless novel (mutiny, castaways, and survival) have been revisited by countless authors in a multitude of formats.

financeadmin.lehigh.edu/content/summer-housing

The Fiscal Year-End 2018-19 Close Calendar (Adobe.pdf or Google calendar) includes important deadlines for June & July 2019 – click the link for the Controller’s Office website & check the NEW Items section - https://financeadmin.lehigh.edu/controller Items must be received in the offices indicated by the Last day noted belowDates for this week :JUNE Mon 3 Last day - To submit reallocations to clear future support indexes (2399XX indexes) to Payroll.

Join Lehigh Libraries for a Web of Science session presented by Laura Britton and Kristen Faeth of Clarivate Analytics on Tuesday, May 28 from 10:00-11:00 a.m. in Linderman Library 302. Web of Science is a citation search platform that enables you to find journal articles relevant to your research, build bibliographies, find collaborators, and assess a publication’s impact on subsequent research. The session will cover advanced searching, new features, and "Journal Citation Reports," which helps assess the research impact of various journals. Attendees can also learn about "Publons", which you can use "to track your publications, citation metrics, peer reviews, and journal editing work in a single, easy-to-maintain profile." You can access the database from Lehigh’s library databases list at: https://library.lehigh.edu/ Attendees can stay after the session and ask any detailed questions relating to their particular use of Web of Science. Please register. Contact Brian Simboli, Science Librarian at x5003 or brs4@lehigh.edu to register or if you have any questions.

In the Group Information Session, an Office of Admissions staff member will share stories about how our motivated students are challenged, engaged and inspired by faculty mentors. Other topics covered include Lehigh’s flexible approach to education, research opportunities and the value our community places on diversity and personal growth. The presentation will touch on the city of Bethlehem, the vibrant Lehigh Valley and the supportive Lehigh Family. Admissions and financial processes, campus traditions and Lehigh’s history of strong career placement are also discussed. Many topics and facilities that are particularly important to first-year students and their parents are included in the student-guided Campus Tour. Residence life, dining, extra-curricular activities, course workload, relationships with professors, and student support services are all discussed. Highlights of the tour of Asa Packer Campus include Linderman Library, an academic classroom, a residence hall and Zoellner Arts Center. Register now >

1 Million Cups is an event that brings together the Lehigh Valley entrepreneurial community over coffee and conversation.

Enjoy fresh grilled-to-order lunch with a live accoustic performance by Chris Lebresco at the Common Grounds Patio! Grill Open - 11:00am - 1:30pm Live Music - 11:30am - 1:00pm

In the Group Information Session, an Office of Admissions staff member will share stories about how our motivated students are challenged, engaged and inspired by faculty mentors. Other topics covered include Lehigh’s flexible approach to education, research opportunities and the value our community places on diversity and personal growth. The presentation will touch on the city of Bethlehem, the vibrant Lehigh Valley and the supportive Lehigh Family. Admissions and financial processes, campus traditions and Lehigh’s history of strong career placement are also discussed. Many topics and facilities that are particularly important to first-year students and their parents are included in the student-guided Campus Tour. Residence life, dining, extra-curricular activities, course workload, relationships with professors, and student support services are all discussed. Highlights of the tour of Asa Packer Campus include Linderman Library, an academic classroom, a residence hall and Zoellner Arts Center. Register now >

In the Group Information Session, an Office of Admissions staff member will share stories about how our motivated students are challenged, engaged and inspired by faculty mentors. Other topics covered include Lehigh’s flexible approach to education, research opportunities and the value our community places on diversity and personal growth. The presentation will touch on the city of Bethlehem, the vibrant Lehigh Valley and the supportive Lehigh Family. Admissions and financial processes, campus traditions and Lehigh’s history of strong career placement are also discussed. Many topics and facilities that are particularly important to first-year students and their parents are included in the student-guided Campus Tour. Residence life, dining, extra-curricular activities, course workload, relationships with professors, and student support services are all discussed. Highlights of the tour of Asa Packer Campus include Linderman Library, an academic classroom, a residence hall and Zoellner Arts Center. Register now >

In the Group Information Session, an Office of Admissions staff member will share stories about how our motivated students are challenged, engaged and inspired by faculty mentors. Other topics covered include Lehigh’s flexible approach to education, research opportunities and the value our community places on diversity and personal growth. The presentation will touch on the city of Bethlehem, the vibrant Lehigh Valley and the supportive Lehigh Family. Admissions and financial processes, campus traditions and Lehigh’s history of strong career placement are also discussed. Many topics and facilities that are particularly important to first-year students and their parents are included in the student-guided Campus Tour. Residence life, dining, extra-curricular activities, course workload, relationships with professors, and student support services are all discussed. Highlights of the tour of Asa Packer Campus include Linderman Library, an academic classroom, a residence hall and Zoellner Arts Center. Register now >

In the Group Information Session, an Office of Admissions staff member will share stories about how our motivated students are challenged, engaged and inspired by faculty mentors. Other topics covered include Lehigh’s flexible approach to education, research opportunities and the value our community places on diversity and personal growth. The presentation will touch on the city of Bethlehem, the vibrant Lehigh Valley and the supportive Lehigh Family. Admissions and financial processes, campus traditions and Lehigh’s history of strong career placement are also discussed. Many topics and facilities that are particularly important to first-year students and their parents are included in the student-guided Campus Tour. Residence life, dining, extra-curricular activities, course workload, relationships with professors, and student support services are all discussed. Highlights of the tour of Asa Packer Campus include Linderman Library, an academic classroom, a residence hall and Zoellner Arts Center. Register now >